Archives and Archiving
Publicado 2026-03-26
Palavras-chave
- Ritual,
- culture,
- Jamaica,
- Music,
- Black liberation
Como Citar
Bell, K. (2026). Black Liberation, Culture, and Ritual: An Interview with Herbie Miller. IYARIC, 3(1), 9–16. https://doi.org/10.25071/2816-8275.89
Copyright (c) 2026 IYARIC
Este trabalho está licenciado sob uma licença Creative Commons Attribution-ShareAlike 4.0 International License.
Resumo
Entrevista com Herbie Miller, historiador e etnomusicólogo Jamaicano.
Referências
- Gates, Henry Louis. 1988. The Signifying Monkey: A Theory of Afro-American Literary Criticism. Oxford University Press.
- Legrás, Horacio. 2022. “Blackness, Postslavery, and What Never Ceases Not to Write Itself.” In Poetics of Race in Latin America, with Mabel Moraña. Anthem Press. https://doi.org/10.2307/j.ctv2svjxv4.5. DOI: https://doi.org/10.2307/j.ctv2svjxv4.5
- Miller, Herbie. 2018. “Sound the Drums, Blow the Horns: The Creative Ethos of Paul Bogle’s Morant Bay War and the Liberationist Ethic of Peter Tosh’s Music.” Jamaica Journal 37 (1-2): 36-45. DLOC.
- Price, Charles. 2022. Rastafari: The Evolution of a People and Their Identity. New York University Press. DOI: https://doi.org/10.18574/nyu/9781479871599.001.0001
- Thomas, Deborah A. 2025. “The Body Unbound: Kumina and Ancestral Return.” TDR : Drama Review 69, no. 3: 16–35. DOI: https://doi.org/10.1017/S1054204325100750